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28\/8\/2026<\/span><\/p>\n\n\n\n

Paper presentation: Sound and Listening Practices in Artist Training at the Athens School of Fine Arts<\/em> <\/p>\n\n\n\n

Uni-Arts Helsinki, Conference \u201cArtist Ped\u00ada\u00adgogy and Artis\u00adtic Think\u00ading: Per\u00adspec\u00adtives and Prac\u00adtices\u201d, Session 3, TRANSDISCIPLINARY AND RELATIONAL PEDAGOGIES <\/mark><\/strong><\/a><\/p>\n\n\n\n

Past<\/h1>\n\n\n\n

2\/2026<\/span><\/p>\n\n\n\n

Krama Entry #33, Mix for Krama Festival<\/mark><\/a><\/em><\/strong> at Stegi Radio<\/em>, Season 4, themed Water and Ecofeminism, Athens. <\/p>\n\n\n\n

12\/2025- 2026<\/span><\/p>\n\n\n\n

Research Associate for Maria Lalou and Skafte Aymo Boot\u2019s project Discontinuity as Chronicle<\/mark><\/a><\/strong><\/em>. Athens.<\/p>\n\n\n\n

12\/10\/2025<\/span><\/p>\n\n\n\n

\u201cSpoilers\u201d, recitation of poem at Cinekatoikisi<\/a><\/em><\/strong> and Interferences Team, conference \u201cHousing in Crisis\u201d, organised by SADAS, Studio New Art Cinema, Athens.<\/p>\n\n\n\n

13\/7\/2025<\/span><\/p>\n\n\n\n

\u201cYour Name Palestine\u201d, recitation of greek translation of poem by Olivia Elias together with Tonia Zacharatou Tzirita and Dimitra Tsiourva, Therino Vivliostasio<\/mark><\/strong><\/em><\/a>, Summer Book fair, Athens.<\/p>\n\n\n\n

15-16\/6\/2024<\/span><\/p>\n\n\n\n

Presentation of the work Ascends Summer or Descends Winter? Flower,<\/em> Colloquium \u00abArt, Eroticism, Ecology\u00bb, Athens, Hellenic Society for Aesthetics,<\/em> Universit\u00e9 Paris 1 Panth\u00e9on- Sorbonne, Fondation of Culture & Education \u00abAndreas Lentakis\u00bb, Athens.<\/p>\n\n\n\n

19\/12\/2023- 7\/1\/2024<\/span><\/p>\n\n\n\n

I Think I Know Now What Mending Is,<\/em> installation, guest participant in Elpida Rikou\u2019s solo show My Silly Paintings Are A Nutcracker, <\/em>or.artspace<\/mark><\/a><\/em><\/strong>, Athens.<\/p>\n\n\n\n

16-19\/10\/2023<\/span><\/p>\n\n\n\n

Lecture, \u2018\u2018Listening for \u2018Now\u2019 and Modes of Listening as Witnessing\u2019\u2019, \u2018Listening As Witnessing Symposium\u2019,<\/strong><\/mark><\/a> Circuits And Currents,<\/em> Organized through ERC CoG MUTE, Listening Academy<\/mark><\/strong><\/a><\/em>, National Hellenic Research Foundation, Institute of Historical Research, Athens.<\/p>\n\n\n\n

26-30\/8\/2023<\/span><\/p>\n\n\n\n

Lecture, \u2018\u2018Sound Affect and Public Space in the Case of the Athenian Apartment Building \u2018Polykatoikia\u2019\u2019\u2019, conference Sonic Ties- Rethinking Communities and Collectives<\/mark><\/a><\/strong>,<\/em> Reichenau an der Rax, Austria, University of Music And Performing Arts, Vienna.<\/p>\n\n\n\n

16-26\/11\/2023<\/span><\/p>\n\n\n\n

\u03a0\u03b5\u03c2 \u03c4\u03bf \u0391\u03b8\u03ad\u03b1\u03c4\u03bf\/ Tell The Unseen, Anoichta Pania Festival<\/mark><\/strong><\/a>,<\/em> field work, participatory action and site specific installation, project curation by Eleanna Pontikaki, Crete, GR.<\/p>\n\n\n\n

23\/6- 3\/7\/2022
Totems<\/em>, Noucmas, A Sound Landscape<\/em>, sound sculpture, curated by Noucmas, O Meteoritis, Athens, GR. <\/em> <\/em> <\/em> <\/em> <\/em> <\/em> <\/em><\/em><\/p>\n\n\n\n

30\/6-3\/7\/2022<\/span><\/p>\n\n\n\n

Lecture, \u2018Transitionality, Listening and Time in Artistic Research\u2019, MEND, BLEND, ATTEND<\/mark><\/a><\/strong><\/em>, 13th Society for Artistic Research (SAR) Confrerence on Artistic Research 2022, Bauhaus- University, Weimar. (online)<\/p>\n\n\n\n

2022<\/span><\/p>\n\n\n\n

Discussion, \u2018Artistic Practice in Public Space\u2019, Hills and Fields<\/em> peripatetic public program, conversation, curation Gigi Argyropoulou, Kostas Tzimoulis, Vasilis Noulas, Athens.<\/p>\n\n\n\n

18\/5\/2022<\/span><\/p>\n\n\n\n

\u2018How to sort out noise\u2019, lecture in the course of Elsa Kiourtsoglou, Music Technology and Soundscapes, department of Culture and Creative Mediums and Industries, University of Thessaly, Greece, (online).<\/p>\n\n\n\n

5\/4- 1\/5\/2022<\/span><\/p>\n\n\n\n

\u0391\u03bd\u03b8\u03bf\u03c0\u03c9\u03bb\u03b5\u03af\u03bf\u03bd, or.artspace<\/mark><\/a><\/em><\/strong>,<\/em> Athens, video essay and photo installation, curation by Elpida Rikou, Athens.<\/p>\n\n\n\n

19- 21\/11\/2021<\/span><\/p>\n\n\n\n

Lecture, \u2018A Listening Session\/ Process as content: domestic recordings in the case of the Athenian apartment building\u2019, Audiovisual Narratives<\/em>, 6th Conference of Acoustic Ecology Thessaloniki, GR (online due to the pandemic). <\/p>\n\n\n\n

September 9-10-11, 2021<\/span><\/p>\n\n\n\n

8th Mediterranean Congress for Aesthetics, Aesthetics of the Everyday in Contemporary Cities, talk on the paper “Comforting Noises: Listening in the Athenian Apartment Building”. (online due to the pandemic)<\/p>\n\n\n\n

June 21, 2021<\/span><\/p>\n\n\n\n

2011-2021, PhD defense, \u201cSound and Listening in the Athenian Apartment Building, As Artistic Practice\u201d, Department of Art Theory and History, Athens School of Fine Arts. (online due to the pandemic)<\/p>\n\n\n\n

May 11, 2020<\/span><\/p>\n\n\n\n

Artist talk at Panagiotis Panopoulos’ course “Anthropology of Sound”, department of social anthropology, University of the Aegean. (online)<\/p>\n\n\n\n

May 28, 2017<\/span><\/p>\n\n\n\n

“Closing Times – #1 Where Are We Now? Struggling Autonomies”, Installation The Dancefloor – Hair, Green Park, Athens. https:\/\/greenparkathens.wordpress.com\/use-1\/<\/p>\n\n\n\n

May 31, 2016<\/span><\/p>\n\n\n\n

The Soft Power Lectures Show, Installation “The Dance Floor, Through Our Dirty Pop Corn”. Basketball Court, Panteion University, Neos Kosmos, Athens, GR, Project Actopolis curation by PAT<\/p>\n\n\n\n

May 14-15, 2016<\/span><\/p>\n\n\n\n

THE CONSTRUCTION OF THE DANCE FLOOR WORKSHOP, TwixtLab, Athens<\/p>\n\n\n\n

April 12, 2016<\/span><\/p>\n\n\n\n

“Nothing personal except my keys – A conversation on ‘The Conversation’ by F.F.Coppola”, with guest speaker the director Katerina Kalentzi, exhibition “WITH YOUR CONSENT” of the team Akoo-o.<\/p>\n\n\n\n

March 18 – April 17, 2016<\/span><\/p>\n\n\n\n

Paradise, group show, at Pir\u00e9e, Piraeus, Greece<\/p>\n\n\n\n

February 2016<\/span><\/p>\n\n\n\n

Fones\/Voices, publication – and book design, group Fones, “Narrations of favorite listenings – It\u2019s like that and that\u2019s the way I am”, “Nothing personal except my keys” – Presentation of Francis Ford Coppola\u2019s \u201cThe Conversation\u201d, in Fones\/Voices, ed. Elpida Rikou & Panayotis Panopoulos, Nisos publications, Athens, Greece<\/p>\n\n\n\n

November 17, 2015<\/span><\/p>\n\n\n\n

\u2018Noise as Space\u2019, artist talk, TwixtLab<\/mark><\/a><\/em><\/strong>, Athens, Greece<\/p>\n\n\n\n

September 24 – 28, 2015<\/span><\/p>\n\n\n\n

\u2018Institutions Politics Performance\u2019, Conference and group exhibition, Green Park Athens<\/mark><\/a><\/em><\/strong>, Greece<\/p>\n\n\n\n

August 13 & 14, 2015<\/p>\n\n\n\n

“Gegen Die Wand”, Video projection, Stiege – Ulm, Germany<\/p>\n\n\n\n

June 19-26, 2015<\/span><\/p>\n\n\n\n

Group exhibition, temporary installation, The Dancefloor<\/em>, Athens, Greece, initiated and coordinated by Green Park Athens<\/mark><\/a><\/em><\/strong>. <\/p>\n\n\n\n

6 – 29.03.2014, March 8, 2014<\/span><\/p>\n\n\n\n

Fon\u00e9s<\/mark><\/strong><\/em>,<\/a> group exhibition, video documentary screening and lecture performance “Nothing Personal Except My Keys, A Conversation on the \u2018Conversation\u2019\u201d, based on the film The Conversation<\/em> by F.F. Coppola, coordinated by Elpida Rikou, guest speaker: Katerina Kalentzi, CAMP<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1.<\/p>\n\n\n\n

23\/12\/2014<\/span><\/p>\n\n\n\n

Artist talk, \u2018How Athens affects my artistic practice\u2019, exhibition Urban Details, Reflections on Patision str<\/em>. by Loukas Bartatilas, Kypseli, Athens, GR.<\/p>\n\n\n\n

November 8, 2013<\/span><\/p>\n\n\n\n

Group exhibition & video projection, Oktoberfest<\/em>, Hotel Maria Kapel<\/mark><\/a><\/strong><\/em>, Hoorn, The Netherlands.<\/p>\n\n\n\n

5\/2012
Artist talk, First Painting Workshop Aggelos Antonopoulos and Zacharias Arvanitis, Athens School of Fine Arts, GR.<\/p>\n\n\n\n

25 &26\/11\/2011
Lecture, \u2018Fieldwork and temporary participatory works in public space\u2019, Interdisciplinary Symposium \u2018Limits and possibilities of art based qualitative methodologies: Expanding perspectives in research design\u2019, Crete, GR.<\/p>\n\n\n\n

16\/06\/2011
Lecture, \u2018Bauhaus and Gesamtkunstwerk, Gestalt theory and contemporary intersectional works of art\u2019, lecture for Philosophy of Aesthetics course by Fay Zika, MFA, ASFA, GR.<\/p>\n\n\n\n

2010<\/span><\/p>\n\n\n\n

Artist talk, Sarajevo Winter 2010 – World Art Tendency<\/em>, CAETERIS SPARIBUS WASCHSALON<\/em>, presentation of the installation in collaboration with Juan Guillermo Caicedo D<\/mark><\/a><\/strong>. (Colombia), Sarajevo, Bosnia and Herzegovina.<\/p>\n","protected":false},"excerpt":{"rendered":"

28\/8\/2026 Paper presentation: Sound and Listening Practices in Artist Training at the Athens School of Fine Arts  Uni-Arts Helsinki, Conference \u201cArtist Ped\u00ada\u00adgogy and Artis\u00adtic Think\u00ading: Per\u00adspec\u00adtives and Prac\u00adtices\u201d, Session 3, TRANSDISCIPLINARY AND RELATIONAL PEDAGOGIES  Past 2\/2026 Krama Entry #33, Mix for Krama Festival at Stegi Radio, Season 4, themed Water and Ecofeminism, Athens. 12\/2025- 2026 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-103","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=\/wp\/v2\/pages\/103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=103"}],"version-history":[{"count":18,"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=\/wp\/v2\/pages\/103\/revisions"}],"predecessor-version":[{"id":286,"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=\/wp\/v2\/pages\/103\/revisions\/286"}],"wp:attachment":[{"href":"https:\/\/thaliaraftopoulou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}